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Ashley Hopkins-Benton

Senior Historian and Curator, Social History
518-474-2179

M.A., History Museum Studies, Cooperstown Graduate Program, State University of New York College at Oneonta, 2008
B.A., Art Studio and Art Education, State University of New York College at Potsdam, 2006

Professional Affiliations
Teaching the Hudson Valley, THVIP (advisory board member)

As curator of social history, my research and collections work primarily focuses on women’s history (especially the history of the fight for women’s rights), LGBTQ+ history, immigration, and religion, as well as the collections areas of sculpture, toys, glassware, and ceramics.

Currently, my research is focused on Albany’s LGBTQ+ community, and specifically the Pride Center of the Capital Region, as well as the political fight for greater rights for the LGBTQ+ community in the City of Albany. I am working to build LGBTQ+ representation in the New York State Museum’s collection, and have been collecting oral histories from community members.

My major exhibition and publication projects include Votes for Women: Celebrating New York’s Suffrage Centennial (2017) and Enterprising Waters: The History and Art of New York’s Erie Canal (2020).

Previously, a large portion of my research has focused on American sculpture, especially the work of Henry DiSpirito, a 20th century Italian immigrant sculptor. My first book, Breathing Life Into Stone: The Sculpture of Henry DiSpirito (Fenimore Art Museum, 2013), told the story of DiSpirito’s direct carving in stone and wood, his immigration to Utica, NY, and his involvement  in the community of Utica and at Utica college. This work also led to the exploration of other stories within the immigrant community in Utica, including the work of folk artist Placido Tobasso.

Publications

2021

P. Drooker 2021, Sources and Significance of Pipestone Artifacts from Fort Ancient Sites, Midcontinenetal Journal of Archaeology 46, 17–52..

2017

P. Drooker 2017, Fabric Fragments from Pine Island, Alabama: Indicator of an Evolving Male Costume Item, Southeastern Archaeology 36, 75-84. 10.1080/0734578X.2016.1247633
Drooker, P., 2017. The Fabric of Power: Textiles in Mississippian Politics and Ritual, in: Waselkov, G., Smith, M. (Eds.), Forging Southeastern Identities: Social Archaeology, Ethnohistory, and Folklore of the Mississippian to Early Historic South. University of Alabama Press, Tuscaloosa, Alabama, pp. 16-40.

2012

P. Drooker 2012, European Trade Goods at the Ripley Site: Implications for Interaction Networks and Chronology, Northeast Anthropology 77-78, 89-138.

2011

P. Drooker, V. Steponaitis, S. Swanson, G. Wheeler 2011, The Provenance and Use of Etowah Palettes, American Antiquity 76, 81-106. 10.7183/0002-7316.76.1.81
P. Drooker 2011, Using Replication-Related Techniques to Examine the Significance of Fabrics in Mississippian Society, Ethnoarchaeology 3, 163-186. 10.1179/eth.2011.3.2.163

2010

P. Drooker, J. Hart 2010, Soldiers, Cities, and Landscapes: Papers in Honor of Charles L. Fisher, New York State Museum Bulletin The University of the State of New York, Albany, New York
Bradley, J., Younge, M.H., Kozlowski, A., 2010. The Sundler Sites: Reconstructing the Late Pleistocene Landscape and its People in the Capital Region of New York, in: Drooker, P., Hart, J. (Eds.), Soldiers, Cities, and Landscapes: Papers in Honor of Charles L. Fisher. The University of the State of New York, Albany, New York, pp. 213-224.
Orser, C., 2010. Foreword, in: Drooker, P., Hart, J. (Eds.), Soldiers, Cities, and Landscapes: Papers in Honor of Charles L. Fisher. The University of the State of New York, Albany, New York, pp. xiii-xiv.
Pickands, M., 2010. A Local Industry Reflects a Local Community—The Watts Blacksmith Shop, in: Drooker, P., Hart, J. (Eds.), Soldiers, Cities, and Landscapes: Papers in Honor of Charles L. Fisher. The University of the State of New York, Albany, New York, pp. 281-293.